Miss Fisher and the Crypt of Tears review – Essie Davis delights in hokey, lustreless film
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For those unacquainted with ABC’s hit whodunnit series Miss Fisher’s Murder Mysteries, based on author Kerry Greenwood’s detective novels and set in 1920s Melbourne, each episode begins with somebody carking it.
The show’s three seasons (there’s also a spin-off called Ms Fisher’s Modern Murder Mysteries) depicts a variety of, shall we say, not ideal ways of exiting the mortal coil – from shootings and stabbings to poisonings, hangings and even beheadings. The fashionista-detective Phryne Fisher (Essie Davis) inevitably solves each case and reveals the killer in a succinctly worded monologue towards the end.
One approaches a movie spin-off expecting greater spectacle and a larger body count. On that level Miss Fisher & the Crypt of Tears – Fisher’s first foray to the big screen, which
This is bast movie
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